Tokyo drum and bass master whose soul, funk and jazz-fusion touch gives the second round warmth, class and Asia-region depth.
Makoto is one of the cleanest fits for a Bali lineup because his drum and bass has always carried sunlight without becoming lightweight. Coming from Tokyo and drawing heavily on soul, funk and jazz-fusion language, he represents a different emotional geography from the UK-heavy names around him. His presence makes the second round feel more Asia-Pacific and more musical at the same time.
The signature is warmth with speed. Makoto records usually move with liquid ease, but the musicianship and break work keep them active rather than decorative. In a festival setting that can be powerful because the set can feel generous, open and deeply danceable without relying on obvious anthem shortcuts.
For LOCUS, Makoto is a genuine paradise booking in the best sense: music that suits the setting while still respecting the genre. He also has older Bali drum and bass history through Paradise in Bali references, so even if this is a new LOCUS Bali profile, the regional connection feels real. Expect this to be one of the most broadly lovable second-round sets.