Fast-moving UK bass producer whose DnB edits, festival instincts and shape-shifting sets keep rooms slightly off balance.
Rohaan arrived through the wider UK bass ecosystem rather than a single orthodox DnB pathway, and that is exactly what gives him edge. He moves quickly, carries modern sound design instincts and never sounds trapped inside one very proper scene box. When he leans into drum and bass, the result feels current, energetic and a little less predictable than the average paint-by-numbers festival slot.
The strength is movement. Rohaan can shift between textures, tempi and emotional tones without making it feel random. He keeps a mischievous sense of pacing, which matters in a beach-festival context where the crowd can drift if every set works the same script. There is enough precision in the production to satisfy detail-oriented listeners, but also enough bravado to pull in people who just want the set to feel alive.
He gives LOCUS a newer, more elastic energy and stops the 2026 lineup from leaning too hard on veteran comfort. He is the booking that suggests the festival still wants artists who talk to the wider bass world, not only the canonical DnB lane. For a group trip, that usually translates into a set people talk about afterward because it felt different, not merely competent.